Queens of the Stone Age Played Long Game with ‘Lullabies to Paralyze’
Circumstances surrounding Queens of the Stone Age’s ‘Lullabies to Paralyze’ forced the band to transition and double down on their iconic brand of alternative rock.
Circumstances surrounding Queens of the Stone Age’s ‘Lullabies to Paralyze’ forced the band to transition and double down on their iconic brand of alternative rock.
Hamilton Leithauser’s This Side of the Island features some incredibly compelling tracks and his most sophisticated instrumentation to date.
The Tubs’ Cotton Crown deals with darker themes about love, loss, and failure despite their penchant for sunny jangle pop sounds.
With Jimi Goodwin sitting out on some tracks, Doves create a familiar mood, even if they do not achieve the same level of greatness.
Sam Fender takes another big step forward on People Watching, which includes a satisfying collection of songs about the human experience.
Sharon Van Etten & The Attachment Theory incorporate synths and darker sonic textures that suit the singer’s cerebral thoughts and powerhouse vocals.
Bloc Party’s first and best record, championed by Franz Ferdinand, still captivates with its youthful energy, political commentary, and emotional center.
On Sol Y Sombra, Rose City Band offer an honest emotional reflection for our times with music that propels forward with their same carefree style.
Bright Eyes brought their expansive and messy vision to life 20 years ago with two albums that captivated listeners then as they surely will now.
Illiterate Light would be wise to ignore certain impulses concerned with image in favor of what might naturally set them apart.
Hüsker Dü’s New Day Rising provided equal parts muscular intensity and melody as the band laid the groundwork for the future of alternative music.
Rome proves to be a strikingly good example of a great National show, even if nothing quite compares to the real thing.