Queens of the Stone Age Played Long Game with ‘Lullabies to Paralyze’
Circumstances surrounding Queens of the Stone Age’s ‘Lullabies to Paralyze’ forced the band to transition and double down on their iconic brand of alternative rock.
Circumstances surrounding Queens of the Stone Age’s ‘Lullabies to Paralyze’ forced the band to transition and double down on their iconic brand of alternative rock.
Bruce Springsteen wrote his Hail Mary album while in purgatory – unwilling to return to tavern gigs yet unsure how to take the next step toward the promised land.
Screaming Life was the authentic sound of grunge and set Soundgarden on course to become the Led Zeppelin of the video game age.
Forty-year-old The Head on the Door propelled the Cure toward arena stature with its musical cohesion and a collection of hallucinatory yet accessible songs.
Coalesced is For Against’s masterpiece, creating cinematic sonic spaces to function as containers for insular expressions of self-doubt, regret, and victory.
Published in 2015, comics series We Stand on Guard speculates a near-future war between the US and Canada.
Bloc Party’s first and best record, championed by Franz Ferdinand, still captivates with its youthful energy, political commentary, and emotional center.
Aimee Mann is a survivor, wizened by experience but willing to keep going with a bit of hope, and Bachelor No. 2 is the peak of her powers.
Jan Akkerman’s discography is vast and ranges from rock to jazz to classical works, several including solo performances on the guitar forerunner, the lute.
Even if the world only knew Alison Krauss from ‘Now That I’ve Found You: A Collection’, her place in country music history would be assured.
The dark comedy Patriot illuminates how neoliberalism makes choices for us disguisedly, using entrepreneurial agency as a fig leaf to obscure manipulation.
Belly’s rock-oriented follow-up, King, to their dream pop debut, Star, didn’t deserve its fate. It showcases a talented group stretching their sound.