The Devil Makes Three Offer a Spell-binding LP of Loss and Resilience
The Devil Makes Three let listeners lose themselves in song, but not without missing sight of the deeper truths. It’s a compelling and cathartic musical experience.
The Devil Makes Three let listeners lose themselves in song, but not without missing sight of the deeper truths. It’s a compelling and cathartic musical experience.
Don’t Shoot collected country tracks by Los Angeles rockers in the mid-1980s. Cutting edge then, it presents a blueprint for today’s alternative country.
Drive-By Truckers frontman Patterson Hood’s new solo record is an unsentimental look back at events that shaped him.
Joe Ely puts emotional content front and center, whether offering a tale of addiction or a mirthful story of his encounters with a local cop.
Bonnie Prince Billy’s The Purple Bird reaches its highest points when Will Oldham finds the joy in life, which feels like its own form of resistance.
Listening to Lilly Hiatt’s Forever, her first album in four years, one can’t help but get swept along in her romantic bliss and the music’s hypnotic pulse.
The newest single from her forthcoming album, Forever, finds Lilly Hiatt romanticizing gas station snacks and walking around in the cold.
Country-rockers Loose Cattle’s Someone’s Monster suggests that we may all be somebody else’s demons while the songs imply we might be our own worst enemies.
Alt-country/Americana artist Kevin Gordon’s The In Between provides evidence for the grandeur of keeping on even when everything seems wrong.
MJ Lenderman creates sounds that somehow cut into his listeners’ heads and hearts, even when the songs’ sonics resemble that of the garage band next door.
On Manning Fireworks, MJ Lenderman describes down-and-out characters with his usual witty charm, all while showcasing his exceptional musical abilities.
Caleb Caudle has a soft spot for the natural beauty of the South, its woodlands and memories of the people who live there, and that’s just part of the story.