‘Sometimes I Think About Dying’ Keeps the Popcorn in the Bucket
Rachel Lambert’s sensitive and observant comedy drama Sometimes I Think About Dying isn’t a film that will turn popcorn into projectiles.
Rachel Lambert’s sensitive and observant comedy drama Sometimes I Think About Dying isn’t a film that will turn popcorn into projectiles.
The Jungian shadow looms over We Were Dangerous, a dramatic and rebellious drama about moral panic and juvenile and sexual delinquency in 1950s New Zealand.
The same lack of control and uncertainty that hounds Kafka’s Josef. K haunts the lost protagonist in Shannon Triplett’s sci-fi horror Desert Road.
Pablo Berger’s animated Robot Dreams is a near-perfect marvel of silent cinema nearly a century after talkies ended the silent era.
Michel Franco’s Memory explores the premise of entrapment in the context of trauma and dementia and, in its repression of truth, builds to a chilling moment.
India Donaldson’s directorial debut Good One leans into gender distinctions, but goes beyond them to offer incisive and observant critique of human nature.
Which is the greater horror, Small Things Like These asks; the women who suffered under Ireland’s abusive Magdalene Laundries or the citizens’ complicity?
Free of a conventional plot but firmly planted in the worldview of Saoirse Ronan’s Rona, The Outrun tells her story in a kaleidoscope of disjointed vignettes.
Chilean revisionist Western, The Settlers, is a powerful film whose director shows admirable moral integrity that’s often absent in film history.
Lucy Lawless’ debut documentary about combat journalist and trailblazing camerawoman Margaret Moth, Never Look Away, reimagines the Myth of Icarus.
Frida Kahlo speaks from beyond her grave about the institutionalization of art and culture and the dangers posed by intellectuals warming their precious asses.
Skywalkers: A Love Story will endure because it’s not trapped in the moment of a daring acrobatic stunt; it’s rooted in the timeless human experience.